The Magician Read online

  Dr Porhoлt had been making listless patterns with his stick upon the gravel, and now, with that charming smile of his, turned to Arthur.

  'I never cease to be astonished at the unexpectedness of human nature,' he remarked. 'It is really very surprising that a man like you should fall so deeply in love with a girl like Margaret Dauncey.'

  Arthur made no reply, and Dr Porhoлt, fearing that his words might offend, hastened to explain.

  'You know as well as I do that I think her a very charming young person. She has beauty and grace and sympathy. But your characters are more different than chalk and cheese. Notwithstanding your birth in the East and your boyhood spent amid the very scenes of the Thousand and One Nights, you are the most matter-of-fact creature I have ever come across.'

  'I see no harm in your saying insular,' smiled Arthur. 'I confess that I have no imagination and no sense of humour. I am a plain, practical man, but I can see to the end of my nose with extreme clearness. Fortunately it is rather a long one.'

  'One of my cherished ideas is that it is impossible to love without imagination.'

  Again Arthur Burdon made no reply, but a curious look came into his eyes as he gazed in front of him. It was the look which might fill the passionate eyes of a mystic when he saw in ecstasy the Divine Lady of his constant prayers.

  'But Miss Dauncey has none of that narrowness of outlook which, if you forgive my saying so, is perhaps the secret of your strength. She has a delightful enthusiasm for every form of art. Beauty really means as much to her as bread and butter to the more soberly-minded. And she takes a passionate interest in the variety of life.'

  'It is right that Margaret should care for beauty, since there is beauty in every inch of her,' answered Arthur.

  He was too reticent to proceed to any analysis of his feelings; but he knew that he had cared for her first on account of the physical perfection which contrasted so astonishingly with the countless deformities in the study of which his life was spent. But one phrase escaped him almost against his will.

  'The first time I saw her I felt as though a new world had opened to my ken.'

  The divine music of Keats's lines rang through Arthur's remark, and to the Frenchman's mind gave his passion a romantic note that foreboded future tragedy. He sought to dispel the cloud which his fancy had cast upon the most satisfactory of love affairs.

  'You are very lucky, my friend. Miss Margaret admires you as much as you adore her. She is never tired of listening to my prosy stories of your childhood in Alexandria, and I'm quite sure that she will make you the most admirable of wives.'

  'You can't be more sure than I am,' laughed Arthur.

  He looked upon himself as a happy man. He loved Margaret with all his heart, and he was confident in her great affection for him. It was impossible that anything should arise to disturb the pleasant life which they had planned together. His love cast a glamour upon his work, and his work, by contrast, made love the more entrancing.

  'We're going to fix the date of our marriage now,' he said. 'I'm buying furniture already.'

  'I think only English people could have behaved so oddly as you, in postponing your marriage without reason for two mortal years.'

  'You see, Margaret was ten when I first saw her, and only seventeen when I asked her to marry me. She thought she had reason to be grateful to me and would have married me there and then. But I knew she hankered after these two years in Paris, and I didn't feel it was fair to bind her to me till she had seen at least something of the world. And she seemed hardly ready for marriage, she was growing still.'

  'Did I not say that you were a matter-of-fact young man?' smiled Dr Porhoлt.

  'And it's not as if there had been any doubt about our knowing our minds. We both cared, and we had a long time before us. We could afford to wait.'

  At that moment a man strolled past them, a big stout fellow, showily dressed in a check suit; and he gravely took off his hat to Dr Porhoлt. The doctor smiled and returned the salute.

  'Who is your fat friend?' asked Arthur.

  'That is a compatriot of yours. His name is Oliver Haddo.'

  'Art-student?' inquired Arthur, with the scornful tone he used when referring to those whose walk in life was not so practical as his own.

  'Not exactly. I met him a little while ago by chance. When I was getting together the material for my little book on the old alchemists I read a great deal at the library of the Arsenal, which, you may have heard, is singularly rich in all works dealing with the occult sciences.'

  Burden's face assumed an expression of amused disdain. He could not understand why Dr Porhoлt occupied his leisure with studies so profitless. He had read his book, recently published, on the more famous of the alchemists; and, though forced to admire the profound knowledge upon which it was based, he could not forgive the waste of time which his friend might have expended more usefully on topics of pressing moment.

  'Not many people study in that library,' pursued the doctor, 'and I soon knew by sight those who were frequently there. I saw this gentleman every day. He was immersed in strange old books when I arrived early in the morning, and he was reading them still when I left, exhausted. Sometimes it happened that he had the volumes I asked for, and I discovered that he was studying the same subjects as myself. His appearance was extraordinary, but scarcely sympathetic; so, though I fancied that he gave me opportunities to address him, I did not avail myself of them. One day, however, curiously enough, I was looking up some point upon which it seemed impossible to find authorities. The librarian could not help me, and I had given up the search, when this person brought me the very book I needed. I surmised that the librarian had told him of my difficulty. I was very grateful to the stranger. We left together that afternoon, and our kindred studies gave us a common topic of conversation. I found that his reading was extraordinarily wide, and he was able to give me information about works which I had never even heard of. He had the advantage over me that he could apparently read, Hebrew as well as Arabic, and he had studied the Kabbalah in the original.'

  'And much good it did him, I have no doubt,' said Arthur. 'And what is he by profession?'

  Dr Porhoлt gave a deprecating smile.

  'My dear fellow, I hardly like to tell you. I tremble in every limb at the thought of your unmitigated scorn.'

  'Well?'

  'You know, Paris is full of queer people. It is the chosen home of every kind of eccentricity. It sounds incredible in this year of grace, but my friend Oliver Haddo claims to be a magician. I think he is quite serious.'

  'Silly ass!' answered Arthur with emphasis.

  2

  Margaret Dauncey shared a flat near the Boulevard du Montparnasse with Susie Boyd; and it was to meet her that Arthur had arranged to come to tea that afternoon. The young women waited for him in the studio. The kettle was boiling on the stove; cups and _petits fours_ stood in readiness on a model stand. Susie looked forward to the meeting with interest. She had heard a good deal of the young man, and knew that the connexion between him and Margaret was not lacking in romance. For years Susie had led the monotonous life of a mistress in a school for young ladies, and had resigned herself to its dreariness for the rest of her life, when a legacy from a distant relation gave her sufficient income to live modestly upon her means. When Margaret, who had been her pupil, came, soon after this, to announce her intention of spending a couple of years in Paris to study art, Susie willingly agreed to accompany her. Since then she had worked industriously at Colarossi's Academy, by no means under the delusion that she had talent, but merely to amuse herself. She refused to surrender the pleasing notion that her environment was slightly wicked. After the toil of many years it relieved her to be earnest in nothing; and she found infinite satisfaction in watching the lives of those around her.

  She had a great affection for Margaret, and though her own stock of enthusiasms was run low, she could enjoy thoroughly Margaret's young enchantment in all that was exquisite. She was a plain w
oman; but there was no envy in her, and she took the keenest pleasure in Margaret's comeliness. It was almost with maternal pride that she watched each year add a new grace to that exceeding beauty. But her common sense was sound, and she took care by good-natured banter to temper the praises which extravagant admirers at the drawing-class lavished upon the handsome girl both for her looks and for her talent. She was proud to think that she would hand over to Arthur Burdon a woman whose character she had helped to form, and whose loveliness she had cultivated with a delicate care.

  Susie knew, partly from fragments of letters which Margaret read to her, partly from her conversation, how passionately he adored his bride; and it pleased her to see that Margaret loved him in return with a grateful devotion. The story of this visit to Paris touched her imagination. Margaret was the daughter of a country barrister, with whom Arthur had been in the habit of staying; and when he died, many years after his wife, Arthur found himself the girl's guardian and executor. He sent her to school; saw that she had everything she could possibly want; and when, at seventeen, she told him of her wish to go to Paris and learn drawing, he at once consented. But though he never sought to assume authority over her, he suggested that she should not live alone, and it was on this account that she went to Susie. The preparations for the journey were scarcely made when Margaret discovered by chance that her father had died penniless and she had lived ever since at Arthur's entire expense. When she went to see him with tears in her eyes, and told him what she knew, Arthur was so embarrassed that it was quite absurd.

  'But why did you do it?' she asked him. 'Why didn't you tell me?'

  'I didn't think it fair to put you under any obligation to me, and I wanted you to feel quite free.'

  She cried. She couldn't help it.

  'Don't be so silly,' he laughed. 'You own me nothing at all. I've done very little for you, and what I have done has given me a great deal of pleasure.'

  'I don't know how I can ever repay you.'

  'Oh, don't say that,' he cried. 'It makes it so much harder for me to say what I want to.'

  She looked at him quickly and reddened. Her deep blue eyes were veiled with tears.

  'Don't you know that I'd do anything in the world for you?' she cried.

  'I don't want you to be grateful to me, because I was hoping--I might ask you to marry me some day.'

  Margaret laughed charmingly as she held out her hands.

  'You must know that I've been wanting you to do that ever since I was ten.'

  She was quite willing to give up her idea of Paris and be married without delay, but Arthur pressed her not to change her plans. At first Margaret vowed it was impossible to go, for she knew now that she had no money, and she could not let her lover pay.

  'But what does it matter?' he said. 'It'll give me such pleasure to go on with the small allowance I've been making you. After all, I'm pretty well-to-do. My father left me a moderate income, and I'm making a good deal already by operating.'

  'Yes, but it's different now. I didn't know before. I thought I was spending my own money.'

  'If I died tomorrow, every penny I have would be yours. We shall be married in two years, and we've known one another much too long to change our minds. I think that our lives are quite irrevocably united.'

  Margaret wished very much to spend this time in Paris, and Arthur had made up his mind that in fairness to her they could not marry till she was nineteen. She consulted Susie Boyd, whose common sense prevented her from paying much heed to romantic notions of false delicacy.

  'My dear, you'd take his money without scruple if you'd signed your names in a church vestry, and as there's not the least doubt that you'll marry, I don't see why you shouldn't now. Besides, you've got nothing whatever to live on, and you're equally unfitted to be a governess or a typewriter. So it's Hobson's choice, and you'd better put your exquisite sentiments in your pocket.'

  Miss Boyd, by one accident after another, had never seen Arthur, but she had heard so much that she looked upon him already as an old friend. She admired him for his talent and strength of character as much as for his loving tenderness to Margaret. She had seen portraits of him, but Margaret said he did not photograph well. She had asked if he was good-looking.

  'No, I don't think he is,' answered Margaret, 'but he's very paintable.'

  'That is an answer which has the advantage of sounding well and meaning nothing,' smiled Susie.

  She believed privately that Margaret's passion for the arts was a not unamiable pose which would disappear when she was happily married. To have half a dozen children was in her mind much more important than to paint pictures. Margaret's gift was by no means despicable, but Susie was not convinced that callous masters would have been so enthusiastic if Margaret had been as plain and old as herself.

  Miss Boyd was thirty. Her busy life had not caused the years to pass easily, and she looked older. But she was one of those plain women whose plainness does not matter. A gallant Frenchman had to her face called her a _belle laide_, and, far from denying the justness of his observation, she had been almost flattered. Her mouth was large, and she had little round bright eyes. Her skin was colourless and much disfigured by freckles. Her nose was long and thin. But her face was so kindly, her vivacity so attractive, that no one after ten minutes thought of her ugliness. You noticed then that her hair, though sprinkled with white, was pretty, and that her figure was exceedingly neat. She had good hands, very white and admirably formed, which she waved continually in the fervour of her gesticulation. Now that her means were adequate she took great pains with her dress, and her clothes, though they cost much more than she could afford, were always beautiful. Her taste was so great, her tact so sure, that she was able to make the most of herself. She was determined that if people called her ugly they should be forced in the same breath to confess that she was perfectly gowned. Susie's talent for dress was remarkable, and it was due to her influence that Margaret was arrayed always in the latest mode. The girl's taste inclined to be artistic, and her sense of colour was apt to run away with her discretion. Except for the display of Susie's firmness, she would scarcely have resisted her desire to wear nondescript garments of violent hue. But the older woman expressed herself with decision.

  'My dear, you won't draw any the worse for wearing a well-made corset, and to surround your body with bands of grey flannel will certainly not increase your talent.'

  'But the fashion is so hideous,' smiled Margaret.

  'Fiddlesticks! The fashion is always beautiful. Last year it was beautiful to wear a hat like a pork-pie tipped over your nose; and next year, for all I know, it will be beautiful to wear a bonnet like a sitz-bath at the back of your head. Art has nothing to do with a smart frock, and whether a high-heeled pointed shoe commends itself or not to the painters in the quarter, it's the only thing in which a woman's foot looks really nice.'

  Susie Boyd vowed that she would not live with Margaret at all unless she let her see to the buying of her things.

  'And when you're married, for heaven's sake ask me to stay with you four times a year, so that I can see after your clothes. You'll never keep your husband's affection if you trust to your own judgment.'

  Miss Boyd's reward had come the night before, when Margaret, coming home from dinner with Arthur, had repeated an observation of his.

  'How beautifully you're dressed!' he had said. 'I was rather afraid you'd be wearing art-serges.'

  'Of course you didn't tell him that I insisted on buying every stitch you'd got on,' cried Susie.

  'Yes, I did,' answered Margaret simply. 'I told him I had no taste at all, but that you were responsible for everything.'

  'That was the least you could do,' answered Miss Boyd.

  But her heart went out to Margaret, for the trivial incident showed once more how frank the girl was. She knew quite well that few of her friends, though many took advantage of her matchless taste, would have made such an admission to the lover who congratulated them on the success of th
eir costume.

  There was a knock at the door, and Arthur came in.

  'This is the fairy prince,' said Margaret, bringing him to her friend.

  'I'm glad to see you in order to thank you for all you've done for Margaret,' he smiled, taking the proffered hand.

  Susie remarked that he looked upon her with friendliness, but with a certain vacancy, as though too much engrossed in his beloved really to notice anyone else; and she wondered how to make conversation with a man who was so manifestly absorbed. While Margaret busied herself with the preparations for tea, his eyes followed her movements with a doglike, touching devotion. They travelled from her smiling mouth to her deft hands. It seemed that he had never seen anything so ravishing as the way in which she bent over the kettle. Margaret felt that he was looking at her, and turned round. Their eyes met, and they stood for an appreciable time gazing at one another silently.

  'Don't be a pair of perfect idiots,' cried Susie gaily. 'I'm dying for my tea.'

  The lovers laughed and reddened. It struck Arthur that he should say something polite.

  'I hope you'll show me your sketches afterwards, Miss Boyd. Margaret says they're awfully good.'

  'You really needn't think it in the least necessary to show any interest in me,' she replied bluntly.

  'She draws the most delightful caricatures,' said Margaret. 'I'll bring you a horror of yourself, which she'll do the moment you leave us.'

  'Don't be so spiteful, Margaret.'

  Miss Boyd could not help thinking all the same that Arthur Burdon would caricature very well. Margaret was right when she said that he was not handsome, but his clean-shaven face was full of interest to so passionate an observer of her kind. The lovers were silent, and Susie had the conversation to herself. She chattered without pause and had the satisfaction presently of capturing their attention. Arthur seemed to become aware of her presence, and laughed heartily at her burlesque account of their fellow-students at Colarossi's. Meanwhile Susie examined him. He was very tall and very thin. His frame had a Yorkshireman's solidity, and his bones were massive. He missed being ungainly only through the serenity of his self-reliance. He had high cheek-bones and a long, lean face. His nose and mouth were large, and his skin was sallow. But there were two characteristics which fascinated her, an imposing strength of purpose and a singular capacity for suffering. This was a man who knew his mind and was determined to achieve his desire; it refreshed her vastly after the extreme weakness of the young painters with whom of late she had mostly consorted. But those quick dark eyes were able to express an anguish that was hardly tolerable, and the mobile mouth had a nervous intensity which suggested that he might easily suffer the very agonies of woe.